Please note this was NOT a review, the following was written in response to a review someone posted on the GH SyFy forum.
I must admit their reasoning is VERY questionable, all the bangs and taps were instantly assumed to be responses & therefore paranormal. Nothing to do with the fact its an old abandoned mostly open air Steel Works at night time (when metal would be cooling & contracting) and it was VERY windy so anything loose would bang and rattle.
As for K2 "conversations" being manipulated didn't I bust that a while back when I caught them shining the laser thermometer or flashlight at it to trigger it? No-one ever did confirm or deny if aiming that style of thermometer at a K2 sensor will cause the same effect as their "paranormal conversation". I note Amy is still trying to use the "flashlight method" as proof of the paranormal long after we have debunked it. Whats even worse is one of them "turned on" but it happened off camera when Amy was knelt right next to it. Nothing remotely suspicious there, is it?
And the usual complaint of bangs happening (in the tunnels) but none of the at least 3 cameras were pointing at it) Score yet ANOTHER point for helmetcams then. Even more annoying when Amy "sees something" and all we get when the slow Pilgrim dude pans round is retina burn off the IR illuminator from the bottom of the tunnel. And this children is why you DO NOT investigate in the dark. Most of the "evidence" presented was weak at best, it would have gotten you bawled out as a GHA cadet for even suggesting most of it had merit.
The shadow figure is just matrixing and the overlay they put on it is nothing like what that single still frame was as that looked like someone standing, its most likely the shadow of whoever was shooting that. I laughed that it was described as "great evidence". Jason "please dont cancel my show" Hawes, he needs money to keep his guesthouse running I guess.
Reviews of Wrestling, Movies, TV and much more! Strong language has been censored by me for blog content
Monday, November 22, 2010
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